(Iliad/Capitol) On his first album in seven years, Beck keeps the quality control extremely high as he surveys mid-50s malaise in the wake of divorce The last time Beck released an album it was 2019 and the singer-songwriter found himself in a strange and unenviable position. In some quarters, the arrival of Hyperspace was eagerly anticipated precisely because his personal life was in turmoil. Nine months before its release, his 15-year marriage to actor Marissa Ribisi had ended in divorce, an experience he understandably described as heartbreaking. Unfortunately for him, there exists a pervasive argument that Beck’s greatest work is born out of misery. His beloved 2002 album Sea Change featured a set of disconsolate acoustic songs written in the wake of a break-up with his long-term girlfriend Leigh Limon that Beck had initially thought were too personal for public consumption. They were certainly very different from the knowing, postmodern approach with which he’d made his name, but no matter: Sea Change went on to become a huge critical and commercial success. It wasn’t entirely clear what prompted the gloomy mood of 2014’s Morning Phase, but it very much seemed to be cut from similar musical and lyrical cloth. Some critics suggested it was the best album of his career; it subsequently won three Grammys, including album of the year. Given the circumstances, there was much pre-release speculation that Hyperspace would be a companion piece. Continue reading...

I know from our early days how high-pressure road life can be. While big tours often hire therapists, grassroots acts can’t afford it. I’m pleased to back a new scheme that aims to change that When Radiohead started touring, it was hugely exciting, but we got signed when we had been going for five or six years and had only really played in Oxford. Suddenly you’re entering a new world: the first flush of fame, being compared to everyone else, the furnace-like experience when a band takes off and a whole new routine of late nights, bad food and everything else that goes on around live music. Everything is heightened and it can be very isolating. In 1992 we were playing small venues in a van and then suddenly in 1993 we were spending the second half of the year in the US. On our second long tour that year, everything caught up with me. I kind of withdrew into myself. Something about being in the US made me feel “impostor syndrome”. I really did feel a very long way from home. All that anxiety has to come out somewhere – for some it’s drink and drugs – but for me it came out in my playing. There was one particular show where we were opening for Tears for Fears and another band who had [Blondie’s] Clem Burke on drums. Clem was my absolute drummer hero but I just hit peak overwhelm, and my drumming went off a cliff. Every limb seemed to be going at its own speed. The kick drum became like trying to open a heavy door. Continue reading...

Call Me Maybe made the singer-songwriter famous – but also confused. Who was she? Who was her music for? Fourteen years later, about to release the double album Day and Night, she finally has some answers Carly Rae Jepsen is as bubbly as ever as she comes down for breakfast at Manhattan’s Hotel Chelsea. She’s one of those pop princesses, like Kylie Minogue, whose voice and demeanour remain unchanged whatever the situation. And she feels at home at this New York landmark where, last year, she married the musician and producer Cole MGN. That a wedding at the Chelsea would need to be kept to about 100 people was an immediate selling point. “I loved that it was smaller,” she says. “It felt big to me! I didn’t even get time with all the people that were there.” We’re here to talk about her new album, though, which comes out 14 years after the song that made her world-famous. Born and raised in the city of Mission in British Columbia, Jepsen had come third on Canadian Idol in 2007, and then released a low-key folk album called Tug of War in 2008, before dropping Call Me Maybe four years later. It became the bestselling global single of 2012; her second album, Kiss, came out in the same year. Now, at the age of 40, she has six more studio albums under her belt. The latest, Day and Night, is her take on marriage and motherhood. And, in its own way – which is to say, a bit coy, a bit breathy – it might also be Jepsen’s horniest album to date. Continue reading...

The singer’s triumphant return to the stage comes after health problems forced her to take a lengthy break Céline Dion wept on stage in Paris as she performed her first live show in more than six years after taking an extended break to deal with her health. Addressing the sold-out crowd on Saturday, a visibly emotional Dion told them that it was “amazing we are all together”. Continue reading...

The Swedish electro-pop singer-songwriter on eloping to Vegas, checking cupboards for murderers and her spooky party trick What’s been your most memorable interaction with a fan? The one that comes to mind is a fan in Austin who I met on one of my first tours there. He ran up to me and said, “SIGN MY ARM!” I signed his arm and then when he came back to the show the next night he had it tattooed – there was plastic over it. I remember saying, “I would have done a better job if I knew you were going to get it tattooed.” Then we took a picture of us, with me pointing at the tattoo. Continue reading...